The GDR Tomorrow  Paid

Rethinking the East German Legacy

by Elizabeth Emery (Volume editor), Matthew Hines (Volume editor), Evelyn Preuss (Volume editor)
©2024, Edited Collection, XVI, 338 Pages
German Studies

Series: Studies in Modern German and Austrian Literature, Volume 13

HARDCOVER

eBook


A unique experiment at the frontlines of the Cold War, the German Democratic Republic collapsed more than thirty years ago. But it did not simply vanish. Far from being a footnote in history, the state and its legacies continue to inform identities, politics, and culture today. Studies of surveillance and government control, individual agency and equal opportunity, informal networks, strategic alliances, and strategies subverting limitations on freedom of expression prompt us to rethink our conceptualizations of the GDR.

Introducing the work of a new generation of researchers, this collection applies such approaches to a wide range of examples from film, theatre, music, literature, radio, and law. The chapters explore and transgress temporal, national, and disciplinary boundaries. From these investigations emerges a pervasive pattern of informal, border-transcending spheres, subversive identity discourses, and effective agency. Drawing variously on concepts such as Eigen-Sinn, informal society, and alternative public spheres, the papers presented here highlight the relevance of GDR Studies looking forwards. More than a volume about just the past, The GDR Tomorrow holds implications for the future.

  1. Cover
  2. Title
  3. Copyright
  4. About the author
  5. About the book
  6. This eBook can be cited
  7. Contents
  8. List of Figures
  9. List of Tables
  10. Acknowledgements
  11. List of Abbreviations
  12. Introduction: The GDR Tomorrow
  13. The East German Project and its Democratic (Dis)Contents
    1. Section I GDR without Borders: Transnational Perspectives
    2. Briefe ohne Unterschrift: Transnational Identity in the GDR
    3. Butterfly over the Wall: Herz’s Madam Butterfly (1978) and Its Journey from the Komische Oper to the Welsh National Opera
    4. Section II German Democratic Aesthetics: Co-Authorship and Subversive Audiences
  14. A ‘Productive’ Alternative to Socialist Realism in Peter Hacks and Heiner Müller
  15. Twofold Testimonies: Jewish Memory of the Holocaust in GDR Fiction
  16. Hollywood behind the Wall? (Dis)Continuities between Love Story (1970) and Die Legende von Paul und Paula (1973)
  17. ‘To Be Continued’: The GDR’s Memory Tomorrow
    1. Section I Beyond 1989: Law and the Instrumentality of the Past
    2. Socialist State Crime, Transitional Justice, and the Question of Individual Responsibility in Germany, 1984–1992
    3. Paul Merker: ‘Ein Moment kommunistischer Ungleichzeitigkeit’?
    4. Section II (N)Ostalgie: Future as History – History as Future?
    5. ‘Wenn die Zeit endlos wär, so wie Sand am Meer … Wünsch ich mir ein Stück davon jetzt zurück’: (N)Ostalgie in East German Popular Music
    6. Objects of Love: Remembering Radio Berlin International in India
    7. Conclusion: GDR Studies Today and Tomorrow
  18. Notes on Contributors
  19. Index
Pages:
XVI, 338
Year:
2024
ISBN (HARDBACK):
9781789979404 (Active)
ISBN (EPUB):
9781789979503 (Active)
ISBN (PDF):
9781789979497 (Active)
Language:
English
Published:
Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York, 2024. XVI, 338 pp., 4 fig. col., 2 fig. b/w, 2 tables.

Elizabeth Emery is a fourth-year PhD student at the University of Bristol. Her thesis explores articulations of nostalgia within popular music from the former GDR after reunification with a specific focus on the approaches of the bands Silly, Karat, and Rammstein and their reception histories.

Matthew Hines is a Teaching Associate in the German Section at the University of Cambridge. He studied Modern Languages in Oxford, Munich, and Birmingham. He is currently preparing a monograph based on his doctoral research into early GDR literature entitled Writing a New Society: Aufbau in GDR Literature 1949–1962.

Evelyn Preuss teaches at the University of Oklahoma. She is currently finishing her PhD on the politics of East German film aesthetics at Yale University. In addition, she is working on a project examining different globalizing tendencies, their relationship to the local, and their political potential. She has published on film, media aesthetics, architecture, history, and policy.

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