Cultural Recycling in the Postdigital Age  Paid

by Miriam Llamas Ubieto (Volume editor) , Johanna Vollmeyer (Volume editor)
©2024, Edited Collection, 304 Pages
Media & Communication

SOFTCOVER

eBook


This volume explores the development towards mass digitisation and datafication and its transforming influence on our way of organising our cultural knowledge and heritage. In this context, cultural recycling plays a crucial role, even if it is in itself not a new phenomenon. However, the quality and quantity of recycling processes have altered profoundly in the postdigital age. The contributions of this volume consider various manifestations of these recycling processes and practices by providing the reader with a wide range of different case studies. Their authors highlight characteristic features of postdigital recycling that differ from the qualities of recycling processes and practices in previous periods. What the case studies show are the different recyclings of canonical texts, folktales, and cultural productions in new postdigital environments, but also what happens to history and memory in today’s times and even how self-declared pre-digital authors cannot escape postdigital strategies for cultural recycling.

  1. Cover
  2. Title
  3. Copyright
  4. About the author
  5. About the book
  6. This eBook can be cited
  7. Table of Contents
  8. Cultural Recycling in the Postdigital Age: An Introduction
  9. Postdigital Cultural Recycling
  10. Postdigital Recycling – Doing Memory and the Narrative
  11. Whatever Happened to History? Cultural Recycling and Notions of the Past since Postmodernism
  12. Predigital Narratives for a Postdigital World: The Case of Amélie Nothomb
  13. The New Art of Making Books Revisited: Postdigital Recycling of the Literary
  14. Postdigital Remediation and Recycling off the Page: The Collaborative Work Besmette Stad
  15. From Memes to Literature and Vice-Versa: The Recycling Canon
  16. The Precession of Monoliths: Planetary Recycling of a Space Age Mythology
  17. Recycling of Haunted House and Spiritualism Motifs in two Postdigital Narratives
  18. Incarnations of Little Red Riding Hood in Board and Video Games
  19. Literary Recycling of Traditional Tales. The Path towards the Postdigital Traditional Tale
  20. The Creation of Memes Based on Traditional Folk Tales in a Teacher-training Degree Classroom
  21. Cervantes and Bécquer in the 21st Century: Literary Recycling of Texts as Educational Tools
Pages:
304
Year:
2024
ISBN (PAPERBACK):
9783034345477 (Active)
ISBN (EPUB):
9783034348096 (Active)
ISBN (PDF):
9783034348089 (Active)
Language:
English
Published:
Bern, Berlin, Bruxelles, New York, Oxford, Warszawa, Wien, 2024. 304 pp., 8 fig. col., 27 fig. b/w.

Miriam Llamas Ubieto is a senior lecturer at Universidad Complutense de Madrid (UCM), where she has taught German literature and comparative literature since 2001. She is a member of the research group LEETHI (Spanish and European Literatures from Text to Hypermedia, UCM). Her publications deal mainly with contemporary German literature; literary theory, interculturality and transculturality; globalisation and literature; memory studies and digital humanities.

Johanna Vollmeyer is a lecturer at Universidad Complutense de Madrid (UCM). Her publications deal with memory and its relation to trauma, power and violence, as well as constructions of identity and alterity in contemporary German literature. She is currently researching a new conceptualisation of time and memory in the postdigital era. Her PhD was awarded with the Premio Extraordinario (Award for extraordinary achievements) from the Universidad Complutense. She is a member of the research group LEETHI (Spanish and European Literatures from Text to Hypermedia, UCM) and head of the research group ReOTi (Rethinking the Order of Time).

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