Communication Theory and Millennial Popular Culture  Paid

Essays and Applications

by Kathleen Glenister Roberts (Edited)
©2016, Textbook, VIII, 264 Pages
Media & Communication

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Theories help to troubleshoot gaps in our understanding, and to make sense of a world that is constantly changing. What this book tries to do, in part, is blur the lines between the differences between today’s college students – the millennial generation – and their professors, many of whom hail from the Boom Generation and Generation X.
In the following chapters, contributors build upon what both parties already know. Writing in a highly accessible yet compelling style, contributors explain communication theories by applying them to «artifacts» of popular culture. These «artifacts» include Lady Gaga, Pixar films, The Hunger Games, hip hop, Breaking Bad, and zombies, among others. Using this book, students will become familiar with key theories in communication while developing creative and critical thinking. By experiencing familiar popular culture artifacts through the lens of critical and interpretive theories, a new generation of communication professionals and scholars will hone their skills of observation and interpretation – pointing not just toward better communication production, but better social understanding.
Professors will especially enjoy the opportunities for discussion this book provides, both through the essays and the «dialogue boxes» where college students provide responses to authors’ ideas.
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Table of Contents
Introduction Editor’s Note (Kathleen Glenister Roberts)
Part I: Rhetoric
1. Improving Your Speech Delivery with Modern Family and Friends (Nancy Bressler)
2. Life as Performance—Dramatism and the Music of Lady Gaga (Jake Dionne & Joe Hatfield)
3. “Clear eyes, full hearts, can’t lose”—Finding the God-Terms in Friday Night Lights (Gerald J. Hickly III)
4. Understanding Ceremonial Speech through Fantasy Literature (Kathleen Glenister Roberts)
5. Winning Isn’t Everything—Credibility, Leadership, and Virtue in HBO’s Game of Thrones (Elena C. Strauman)
Part II: Culture
6. “Let it go, let it go”—Hegemony and Counter-Hegemony in Disney’s Frozen (Janelle Applequist)
7. Mockingjays and Silent Salutes—Introducing Semiotics through The Hunger Games (Claudia Bucciferro)
8. Understanding Stuart Hall’s “Encoding/Decoding” Model through TV’s Breaking Bad (Garret Castleberry)
9. Postmodern Theory and Hip-Hop Cultural Discourse (Hunter H. Fine)
10. Seen but Not Heard—Exploring Muted Group Theory in Pixar’s The Incredibles, WALL-E, and Brave (Bruce W. Finklea & Sally Bennett Hardig)
11. Knope vs. Pope: A Fantasy Theme Analysis of Scandal vs. Parks & Recreation (Krystal Fogle)
Part III: Media and Technology
12. The Smartphone as Permanent Substitute Teacher (Brian Gilchrist)
13. Media and Technology—Metal and Mutation in the X-Men Films (Paul A. Lucas)
14. Hashtag Television Advertising—The Multistep Flow of Millennial TV Usage, Commercial Viewing, and Social Media Interaction (Andrew Sharma & Chrys Egan)
15. Zombie Apocalypse, Haitian Vodou, and Media Ecology—A Cautionary Tale for Our Technological Future (Brent Sleasman)
16. Uses and Gratifications Theory in How I Met Your Mother—True Story (Linnea Sudduth Ward)
Part IV: Interpersonal Communication
17: “Don’t Open, Dead Inside”—External and Internal Noise in The Walking Dead (Andrew Cole & Bob DuBois)
18. Hook, Line, and Sinker—Theories of Interpersonal Deception and Manipulation in Catfish (Holly Holladay & Sara Trask)
19. “Got a Secret. Can You Keep It?”—Pretty Little Liars, Friendship, and Privacy Management (Alysa Ann Lucas)
20. Social Penetration Theory and Relationship Formation in Harry Potter (Kelli Jean K. Smith & Sharmila Pixy Ferris)
About the Contributors
Pages:
VIII, 264
Year:
2016
ISBN (HARDBACK):
9781433126437 (Active)
ISBN (PAPERBACK):
9781433126420 (Active)
ISBN (EPUB):
9781454195320 (Active)
ISBN (PDF):
9781453917053 (Active)
ISBN (MOBI):
9781454195177 (Active)
Language:
English
Published:
New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2016. VIII, 264 pp.
Kathleen Glenister Roberts (PhD, Indiana University-Bloomington) is Associate Professor of Communication and Rhetorical Studies and Director of the Honors College at Duquesne University. She is the author of numerous essays and the books Alterity and Narrative (2007) and The Limits of Cosmopolis (Peter Lang, 2014).

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