Trauma and Identity in Contemporary Irish Culture  Paid

by Melania Gallego (Volume editor)
©2020, Edited Collection, XVI, 314 Pages
English Studies

Series: Reimagining Ireland, Volume 94

SOFTCOVER

eBook


The last two centuries of Irish history have seen great traumas that continue to affect Irish society. Through constructing cultural trauma, Irish society can recognize human pain and its source/s and become receptive to the idea of taking significant and responsible measures to remedy it. The intention of this volume is to show the mediating role of the literature and film scholar, the archivist, the social media professional, the historian, the musician, the artist and the poet in identifying Irish cultural trauma past and present, in illuminating Irish national identity (which is shifting so much today), in paying tribute to the memory and suffering of others, in showing how to do things with words and, thus, how concrete action might be taken.

Trauma and Identity in Contemporary Irish Culture makes a case for the value of trauma and memory studies as a means of casting new light on the meaning of Irish identity in a number of contemporary Irish cultural practices, and of illuminating present-day attitudes to the past. The critical approaches herein are of a very interdisciplinary nature, since they combine aspects of sociology, philosophy and anthropology, among other fields. This collection is intended to lead readers to reconsider the connections between trauma, Irish cultural memory, identity, famine, diaspora, gender, history, revolution, the Troubles, digital media, literature, film, music and art.

  • Cover
  • Title Page
  • Copyright Page
  • About the author
  • About the book
  • Citability of the eBook
  • Contents
  • Figures
  • Preface
  • Acknowledgements
  • Introduction
  • Part I Literature and Film
  • 1 From Undoing: Silence and the Challenge of Individual Trauma in John Boyne’s The Heart’s Invisible Furies (2017)1
  • 2 Trauma and Irish Female Migration through Literature and Ethnography1
  • 3 Avenging the Famine: Lance Daly’s Black ’47, Genre and History
  • Part II Memory and Digital Archives
  • 4 Reflection of Trauma in the Prisons Memory Archive: How Information Literacy, Human Experience and Place Are Impacted by Conflict
  • 5 From the Maze to Social Media: Articulating the Trauma of “the Blanket Protest” in the Digital Space1
  • Part III History
  • 6 “The Women Who Had Been Straining Every Nerve”: Gender-Specific Medical Management of Trauma in the Irish Revolution (1916–1923)
  • 7 Personal Loss and the “Trauma of Internal War”: The Cases of W. T. Cosgrave and Seán Lemass
  • Part IV Music
  • 8 Di-rum-ditherum-dan-dee: Trauma and Prejudice, Conflict and Change as Reflections of Societal Transformation in the Modern-Day Consolidation of Irish Traditional Music
  • 9 Traumatic Childhood Memories and the Adult Political Visions of Sinéad O’Connor, Bono and Phil Lynott
  • Part V Creative Writing
  • 10 Hungry Ghosts: Trauma and Addiction in Irish Literature
  • 11 Fellow Travellers
  • 12 Trauma and Identity Issues in Pat Boran’s Work: An Interview
  • Notes on Contributors
  • Index
Pages:
XVI, 314
Year:
2020
ISBN (PAPERBACK):
9781789975574 (Active)
ISBN (EPUB):
9781789975598 (Active)
ISBN (PDF):
9781789975581 (Active)
Language:
English
Published:
Oxford, Bern, Berlin, Bruxelles, New York, Wien, 2020. XVI, 314 pp., 2 fig. b/w

Melania Terrazas Gallego is on the Executive Board of AEDEI (The Spanish Association for Irish Studies), Head of the Centre of Irish Studies BANNA/BOND (European Federation of Associations and Centres of Irish Studies) and Senior Lecturer in English Studies at the University of La Rioja (Spain). She is the author of Relational Structures in Wyndham Lewis’s Fiction: Complexity and Value (Lincom Europa, 2005), the editor of Journal of English Studies, vol. 8. (2010) and guest editor of Gender Issues in Contemporary Irish Literature (Estudios Irlandeses, vol. 13, no. 2, 2018). She helped set up the Wyndham Lewis Project websites through grants from the AHRC and the Spanish Ministry of Science and Competitiveness. She has published extensively on a number of British and Irish modernist and contemporary authors and film directors, and on applied linguistics. Her work has been recognized by positive reviews in international journals, grants and awards received to date.

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