The Undead in the 21st Century  Paid

A Companion

by Simon Bacon (Edited)
©2022, Edited Collection, XVI, 324 Pages
The Arts

Series: Genre Fiction and Film Companions, Volume 10

SOFTCOVER

eBook


«Beyond the narrow application to the pop-cultural zombie, Simon Bacon’s editorial definition of the concept of being «undead» generates discussions in each chapter that creatively engage with the full agenda of critical debates in studies of horror and the gothic. With each chapter, the book unpacks the dense implications of its key concept, as it explores what it means to be undead, to determine who is and who isn’t, and how this matters. The book earns its rewards as a «Companion» in the true sense of the term since it is sure to accompany many curious and critical journeys through undead twenty-first-century culture.»

(Professor Steffen Hantke, Sogang University, Seoul, author of Monsters in the Machine: Science Fiction Film and the Militarization of America after World War II)

Who are the Undead?

The twenty-first century is truly the age of the undead. They are no longer just vampires or zombies, but every kind of monster that can be imagined. More so, they not only live in the alien terrain of our imaginations or nightmares but are embedded into the very nature of our existence in the neverending catastrophe of the 2000s. Featuring leading scholars such as David Punter, Roger Luckhurst, Jeffrey Andrew Weinstock and Lorna Piatti-Farnell amongst many others, the 30 original essays in The Undead in the 21st Century: A Companion describe and explain how the various fears and anxieties we have around such things as contagion, the environment, geopolitics and even ageing give form to the multifarious undead that plague our existence and seem bent on our destruction. However, as shall be argued here, if we can recognise and understand the undead they might not be the end of humanity as we know it, but possibly a way to exist beyond it.

  • Cover
  • Title
  • Copyright
  • About the editor
  • About the book
  • This eBook can be cited
  • Contents
  • Acknowledgements
  • Prologue: The Revolution of the Undead (David Punter)
  • Introduction (Simon Bacon)
  • Part I Undead Cultures in the Global Present
    • Hereditary (Ari Aster, 2018) – Folk Horror and the Undead (Mikel J. Koven)
    • La Llorona (Various, 2006–2019) – Mexican Undead (Cristina Santos)
    • Go Goa Gone (Raj and D. K., 2013) – Bollywood Undead (Iain Robert Smith)
    • Wakening (Danis Goulet, 2013) – Métis-Cree Undead (John R. Ziegler)
    • Killer Native (Bjorn Stewart, 2019) – Australian Aboriginal Undead (Naomi Simone Borwein)
    • Seoul Station (Sang-ho Yeon, 2016) – South Korean Undead (Katarzyna Ancuta)
  • Part II The Undead and Never-ending Present
    • The Haunting of Hill House (Mike Flanagan, 2018) – Domestic Undead (Dara Downey)
    • The Girl with All the Gifts (Colm McCarthy, 2016) – Undead Classroom (Tyler Unsell)
    • ZOMBIES 2 (Paul Hoen, 2020) – Anti-racist Undead (Antares Leask)
    • Deadgirl (Marcel Sarmiento and Gadi Harel, 2008) – Undead Rape Culture (Natalie Wilson)
    • The Nun (Corin Hardy, 2018) – Religious Undead (Brandon R. Grafius)
    • Saint Maud (Rose Glass, 2019) – Medical Undead (Laura R. Kremmel)
    • Bubba Ho-tep (Don Coscarelli, 2002) – Ageing and the Undead (Jeffrey Andrew Weinstock)
    • Relic (Natalie Erika James, 2020) – Undead Heritage (Gina Wisker)
  • Part III Undying Identity
    • AHS: Hotel (Ryan Murphy and Brad Falchuk, 2015–2016) and The Strain (Guillermo del Toro and Chuck Hogan, 2014–2017) – Undead Children (Leah Richards)
    • Suspiria (Luca Guadagnino, 2018) – Undead Motherhood (Sara Williams)
    • Game of Thrones (David Benioff, 2011–2019) – Undead Masculinity (Valerie Estelle Frankel)
    • Dorohedoro (Q Hayashida, 2000–2018) – Transgender Undead (Madeleine Mackenzie)
    • ‘The Zombie Mermaid’ (Katelynn E. Koontz, 2018) – Undead Mermaids (Martine Mussies)
    • Bloodthirsty (Amelia Moses, 2021) – Undead Celebrity (Gwyneth Peaty)
    • Behemoth (Nergal and others, 1991–present) – Extreme Metal and the Undead (Antonio Alcala Gonzalez)
  • Part IV Undead Futures
    • Wicked Weeds (Pedro Cabiya, 2011 [trans. 2016]) – Meta Undead (Persephone Braham)
    • Get Out (Jordan Peele, 2017) – The Undead and Afrofuturism (Jay Treagus and Nicola Young)
    • Les Revenants (Fabrice Gobert, 2012–2015) – Environmental Undead (Mikaela Bobiy)
    • Antisepticeye (Seán McLoughlin, 2016) – Online Undead (Catherine Pugh)
    • Westworld (Lisa Joy and Jonathan Nolan, 2016–present) – Posthuman Undead (Ildikó Limpár)
    • Marvel Zombies (Robert Kirkman, Sean Phillips and Arthur Suydam, 2005–2006) – Undead Superheroes (Lorna Piatti-Farnell)
    • The Cloverfield Paradox (Julius Onah, 2018) – Universal Undead (Simon Bacon)
  • Epilogue: The Death of Death – Zero K, Don DeLillo (2016) (Roger Luckhurst)
  • Bibliography
  • Notes on Contributors
  • Index
  • Series Index
Pages:
XVI, 324
Year:
2022
ISBN (PAPERBACK):
9781789977363 (Active)
ISBN (EPUB):
9781789977301 (Active)
ISBN (PDF):
9781789977295 (Active)
ISBN (MOBI):
9781789977318 (Active)
Language:
English
Published:
Oxford, Bern, Berlin, Bruxelles, New York, Wien, 2022. XVI, 324, 6 pp., 52 fig. col., 6 fig. b/w.

Simon Bacon is an award-winning writer and film critic based in Poznań, Poland. He is the Series Editor for Genre Fiction and Film Companions with Peter Lang, to which he has also contributed The Gothic (2018), Horror (2019), Monsters (2020) and Transmedia Cultures (2021). He is also the editor of Transmedia Vampires (2021), Nosferatu in the 21st Century (2022) and The Anthropocene and the Undead (2022). He has published a series of monographs on vampires in popular culture: Becoming Vampire: Difference and the Vampire in Popular Culture (2016), Dracula as Absolute Other (2019), Eco-Vampires (2020), Vampires from Another World (2021) and 1000 Vampires on Screen (forthcoming).

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