Giuseppe Tartini (1692–1770) made history both as an outstanding composer and as an exceptional music theorist. Especially after he began to devote himself to speculative reflections of music, Tartini seems to have been searching for harmony between music theory (which he studied in depth, even reaching back to ancient concepts of music) and musical practice (his daily routine as composer and violinist at St Anthony’s Basilica in Padua and as violin teacher). The present 2nd volume of the series focuses on both Tartini’s musical language and his theoretical deliberations.
Cover
Title
Copyright
About the editor
About the book
This eBook can be cited
Table of Contents
List of Authors
Preface
Introduction: The Tartini Moment (Sergio Durante)
In Search of Perfect Harmony in Music: Tartini’s Musical Language
Violin Sonatas by Giuseppe Tartini from the Perspective of Musical-Rhetorical Figures (Baiba Jaunslaviete)
The Orchestral Accompaniments of Giuseppe Tartini’s Concertos for Violin and Orchestra and the Third-Tone Theory: Hypotheses for an Analysis (Margherita Canale Degrassi)
Tartini’s Concertos Op. 1 and 2 against the Backdrop of the Venetian Concerto Tradition (Piotr Wilk)
A Contribution to the Devotional Music of the Eighteenth Century: Giuseppe Tartini’s Spiritual laude (Chiara Casarin)
“A great commotion of spirit”: Tartini’s “Ancona experience” and the Power of Affective Performance (Alan Maddox)
In Search of Perfect Harmony in Musical Thought: Tartini’s Theory and Beyond
Tartini and the Ancients: Traces of Ancient Music Theory in the Tartini–Martini Correspondence (Nejc Sukljan)
Giuseppe Tartini, the philosophia naturae and the natura-ars Dichotomy: In Defence of natura as the Key to His Traité des agréments de la musique (Walter Kurt Kreyszig)
“No Other Art than the Imitation of Nature”: Tartini, Algarotti, and the Hermeneutics of Modal Dualism (Bella Brover Lubovsky)
Tartini’s “Musical Inference” between Epistemology and History of Harmony (Roberta Vidic)
Understanding Tartini and His Thought: Overcoming Translation Difficulties in the Correspondence between Tartini and Martini (Jerneja Umer Kljun)
Maestro delle Nazioni: Tartini’s Influence and Reception and Dispersion of His Work (Lucija Konfic)
Giuseppe Michele Stratico’s Theoretical Thinking: Transgressing the Boundaries of Tartini’s School
The Reception of Tartini’s Violin Sonatas in Madrid (ca. 1750–ca. 1800)1 (Ana Lombardía)
The Stylistic Legacy of Giuseppe Tartini’s Violin Concertos as Revealed in the Violin Concertos of Josef Mysliveček and Wolfgang Mozart (Daniel E. Freeman)
Berlin, Bern, Bruxelles, New York, Oxford, Warszawa, Wien, 2022. 340 pp., 2 fig. col., 104 fig. b/w, 9 tables.
Nejc Sukljan studied musicology and history at the Faculty of Arts, University of Ljubljana where he now works as an assistant professor at the Department of Musicology. His main areas of interest include history of early music and history of music theory.
en
fr
de
Twitter
Facebook
WhatsApp
LinkedIn