The present volume, which inaugurates the series called Giuseppe Tartini and the Musical Culture of the Enlightenment, includes contributions presenting a wide range of materials and methodologies, revealing a rich multiplicity of perspectives on Giuseppe Tartini’s work, ideas, personality and reception history. By casting new light on some fundamental and unanswered questions, this collection of essays aims to increase our awareness of the vastness, complexity, and relevance of Tartini and his world, which inevitably will always inspire new research and new approaches to his music.
Giuseppe Tartini; the Age of Enlightenment; History of reception; Iconography; Manuscript sources
Berlin, Bern, Bruxelles, New York, Oxford, Warszawa, Wien, 2022. 318 pp., 48 fig. b/w, 10 tables.
Gabriele Taschetti is completing a PhD in musicology at the University of Padua, with a dissertation on early 17th-century sacred music. He has published on music patronage, compositional techniques, contrafacta, the creative process, and the circulation of music books in the early modern period. He is currently collaborating in the edition of the opera omnia of Tomaso Cecchini and Giovanni Battista Riccio.
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