IMAGES (V) – Images of (Cultural) Values  Paid

The Conference Proceedings

by Veronika Bernard (Edited)
©2016, Conference proceedings, 199 Pages
The Arts

SOFTCOVER

eBook


This collection of articles offers readers a cross-section of current research on contemporary and historical concepts and representations of (cultural) values as documented in popular culture, public space, the arts, works of literature and in ethnic contexts. The contributors to this volume are from the US, Algeria, Germany, Italy, Croatia, Albania, Serbia, Turkey, and Austria. Their very different cultural, ideological, scientific, academic and non-academic perspectives and backgrounds allow insights from many different viewpoints.
Cover
Contents
Introductory Section
The IMAGES Project (Veronika Berna)
Introduction (Veronika Berna)
General Aspects
Responsibility and Economy of Images ([Keti Shehu] [Ambra Pittoni])
Images of (Cultural) Values in the Arts
The Vanitas: Moral Values in European Art (Sibel Almelek İşman)
Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature (Jutta Teuwsen)
Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium (Cinla Seker)
Images of (Cultural) Values in Film
Making Cultural Values Visible in Early Turkish-German Cinema (Ömer Alkın)
Images of (Cultural) Values in Popular Culture
Images of Work in Collodi’s Pinocchio (Simonetta Milli Konewko)
“The Gift of the Stranger”: Elkader as a Cultural Utopia (Selma Mokrani Barkaoui)
The Figure of the Mother ([Roberta Matkovic] [Tanja Habrle])
Images of (Cultural) Values in Public Space
From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore (Nerma Cridge)
Skyscrapers – Strong Images of Culture and Art; Globalized (Adriana De Angelis)
Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values (Veronika Bernard)
The Ethnic and Images of (Cultural) Values
The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries) (Rubén Gregori)
Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862) (Itzea Goicolea-Amiano)
The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France (Miloud Barkaoui)
Images of (Cultural) Values in Literature
Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk (Mirjana Marinković)
“Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks (Neval Berber)
Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman (Gönül Bakay)
Rear Matter
The Editor
Contributors
Pages:
199
Year:
2016
ISBN (PAPERBACK):
9783631667774 (Active)
ISBN (EPUB):
9783653958416 (Active)
ISBN (PDF):
9783653064391 (Active)
Language:
English
Published:
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2016. 199 pp., 14 b/w fig.
Veronika Bernard is an Associate Professor at the Department of German Language and Literature at the University of Innsbruck (Austria) and a member of the research area Cultural Encounters – Cultural Conflicts. She is the author and editor of several publications on literary and cultural studies.

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